Through Armantrout’s Looking Glass: The Poem as Wonderland
“I learned that poems may be deliberate and arbitrary at the same time.”—an essay by Julie Marie Wade
“I learned that poems may be deliberate and arbitrary at the same time.”—an essay by Julie Marie Wade
We scroll pages
as if scanning thickets
By Jack Chelgren | Special Projects Intern and Contributing Writer As a word is mostly connotation,  matter is mostly aura?  Halo? (The same loneliness that separates me  from what I call “the world.”) — Rae Armantrout, “A Resemblance” I. It’s afternoon not long ago. I’m listening to music in my apartment, and “The Last Time I Saw Richard,” the closer from Joni Mitchell’s Blue, comes on. The last time I saw Richard was Detroit in ’68 And he told me, “All romantics meet the same fate someday: Cynical and drunk and boring someone in some dark café.”
By Scott Condon | Contributing Writer The title of Rae Armantrout’s poem “Thrown” immediately brings to mind philosopher Martin Heidegger’s notion that human life is thrown into the world. This concept plays a key role in his book Being and Time, and I’ll return to Heidegger a little later. But I’d like to begin by looking at the poem through the lens of James Longenbach’s essay “Poetry Thinking,” focusing in particular on a couple of passages that address the way Shakespeare’s characters speak their thoughts.