by Carrie Kahler Poetry Northwest Staff Writer   Poetry Press Week did not last for a week.  Nor did it showcase presses.  It did, however, have shrimp and a dj. Inspired by New York Fashion Week, Liz Mehl and Justin Rigamonte asked five poets to “use ‘model’ readers to present their newest work to a hand-selected audience of press, publicists, editors, and literary journals.” The poets each designed their own show and secured their own readers, but kept the results secret until sending their representatives down the runway. As the dj faded out, Mathew Dickman opened.  He included seven poems and alternated between simple readings by men and women dressed in black, and performances that enacted each poem’s meaning.  “Take ten paces,” says a reader, and two performers take ten paces. The enactments were the most memorable and served two poems well—“Daily Monster Dance” and “My Childhood is Your Childhood.”  “The Sea, The Ocean, and The Coast,” suffered from an awkward interpretive dance performed nearly in the lap of an older audience member.   This pattern …