Poetry

Two Poems

Aurelian I

I view the Aurelian Wall as a leading protagonist on the Roman stage between the third and ninth centuries, an approach perhaps susceptible to objections about putting—forgive me—the Wall before the horse.

—Hendrik W. Dey, The Aurelian Wall and the Refashioning of Imperial Rome, AD 271-855

Say a wall and a horse do meet
on a dry day in some in-between century.
Say the horse is sweating, resplendent, embarrassed

and full of secret hope. A horse is a good
vehicle, and a wall is a good listener. Say the wall
is long. The horse

can walk alongside it. Does a horse aspire
to jump a wall taller than its own
head? A horse can be

a heart in a poem, or at least at
the heart of the poem. Its tail flicks,
brushing the wall. What is it, horse?

No one asks
the wall its business here.
Say the horse is a diversion,

a regal moving-forward machine.
Say the wall’s been watching
the tomfoolery forever, counts

one wish for every block of stone.
Sure, a wall could yearn. Say the wall
wishes it had legs.

Aurelian II

AppearingI view the Aurelian Wall

from within,
appearing briefly

Appearingas a leading protagonist
on the Roman stage

Appearing[this spiral staircase]
Appearing[this ascent]

walking down
the longue durée

as archers’ slits
bleed strips of light

Appearing[a bus glints]
Appearing[a taxi rattles]

between the third and ninth
Appearingdreams I felt

centuries, an approach,
became perhaps susceptible

Appearing[grew hot]
Appearing[got lost]

I found myself
giving in

to objections
catching glances, sensing

Appearing[evidence]
Appearing[symbolic]

warnings about putting
myself—forgive me

forgive me, the Wall
Appearingthe obstacle before the horse.

Mia Kang is the author of All Empires Must (Airlie Press, 2025), the winner of the 2023 Airlie Prize, as well as the chapbooks Apparent Signs (Ghost City Press, 2024) and City Poems (ignitionpress, 2020). The self-appointed Poet Laureate of the Process, she lives in Philadelphia with two cats.

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