Author: Staff

Wendy Willis: “A Virtuous Wife”

“Who can find a virtuous wife?” is the opening line of Proverbs 31:10 and begins an acrostic poem—each line starting with a successive letter of the Hebrew alphabet, undoubtedly creating an easy way for the virtuous wife to recall that she must consider a field and buy it and plant a vineyard and strengthen her arms and clothe her household with scarlet.  As for this poem, I wanted it to wonder about virtue, to occupy two minds, to scratch what itched, to listen for the birdcalls, inside and out.  A virtuous wife does not eat the bread of idleness. (Wendy Willis)

David Biespiel: Pssst… A New Era Dawning for Poetry Northwest

Dear Friends: Arriving on our office doorstep today are a dozen cardboard boxes filled with copies of the newest issue of Poetry Northwest. It sports a sensational cover with art work by our staff artist, Philip Sylvester. As a nod to the magazine’s original legacy as a poetry-only journal for over four decades, I had intended this issue to be an all-poetry issue, and my staff has cringed every time I made the lame joke, “How’s The Poetry Issue coming?”

David Biespiel: “A Sense of Form and a Sense of Life”

Here’s hoping it’s not too late to finally answer the question,   â€śWhat is it you’re looking for in a poem?” David Biespiel In your hands is my last issue as editor of this magazine. Before I pass along the inky reins and Internet codes to the next editor, however, it’s with enormous gratitude that I thank you for allowing me into your homes and libraries. No one values the contemporary reader of poetry more than an editor of a magazine of contemporary poems, and that includes me. Since I was appointed editor almost five years ago and charged with resurrecting Poetry Northwest from the dead, the staff of the magazine—and let me pause here to say what an outstanding staff they are, far superior to their editor, I assure you, from lifers William Bernhard, Edward Derby, Heather Guidero, Roger Leigh, Phil Sylvester, and to veterans Caitlin Dwyer, Franny French, Liz Fuller, Shanna Germain, Jade Pekkala, David Robinson, Claire Sykes, Amanda Turner, Kate Wheatcroft, and Chalcey Wilding, to newcomers John Blackard, Jeff Lytle, and the many …

Herman Asarnow On James Merrill’s “Pearl”

One of the most important American poets of the twentieth century, James Merrill, is the subject of this summer’s online feature by Herman Asarnow. He elaborates on his admiration for Merrill’s lyrical poem “Pearl,” which appeared in 1995’s A Scattering of Salts. Asarnow’s unpacking of Merrill’s poem also ushers in Poetry Northwest’s newest issue, “Enthusiasms.” Look for it on newsstands and in bookstores this summer.

Danielle Chapman: “Meet Me in Hollywood”

This month we’re featuring Danielle Chapman’s poem “Meet Me in Hollywood,” which appears in Poetry Northwest Fall-Winter 2008-09 v3.n2. According to Chapman, “If there’s anyone lurking in the shadows of this poem, it’s probably Allen Ginsberg.  I’ve always felt a bit conflicted about his work; of course as a teenager I guzzled down “Howl” as if it were a ritual libation; then, as a college student, I dismissed it as dated and a bit silly; but, when I reread it again as an adult, I was overcome by the power of its ecstatic perception.  While its peyote-dream quality can seem schticky to an ironic reader, it’s ultimately triumphant in harnessing visionary experience, territory which is uniquely suited to poetry.  This poem pays homage to the sort of mystical openness that Ginsberg accessed, but it’s also an indictment of the flophouse romanticism that we’ve inherited from his generation. “

David Ciminello: “Love, Lorena”

“Love, Lorena” appears in the current issue of Poetry Northwest, our sixth in the new series. Of his poem David Ciminello writes, “as a writer I am most concerned with the musicality of language and how certain notes can be struck with the right word choice and word order.I also consider myself a visual writer. I like to work from images.

Susan Kelly-Dewitt: “His Perfume”

“His Perfume” appears in Poetry Northwest Fall-Winter 2008-09 v3.n2, our sixth in the new series. Of her poem Kelly-DeWitt writes, “we usually think of perfume as something attractive—so I wanted to play off of that idea in this poem. It’s a poem about the body as flesh, a thing in and of itself, that has a life of its own apart from the consciousness that inhabits it, with a death and a perfume of its own making. The poem is written in unrhymed tercets; tercets have a shape and pacing I’m comfortable with.

P. K. Page: “Improbable Concept”

For January & February we’re featuring P.K. Pages “Improbable Concept,” which appears in the current issue of Poetry Northwest. Page writes, “‘Improbable Concept’ is written in the seductive and challenging glosa form, which dates back to the l5th century Spanish Court. The lines of the opening quatrain are chosen from the work of another poet; they are followed by four ten-line stanzas, whose concluding lines are taken consecutively from the quatrain; their sixth and ninth lines rhyming with the borrowed tenth—I suppose a liking for crossword puzzles helps!”